![]() The Last of Us ’ opening has a much more refined balance of quiet and loud moments, and ended up being a real showcase for what the Razer could do. ![]() The sound quality is fantastic with the Razer, picking up the quieter, more unnerving sounds just as clearly.Īnother game’s opening I simply had to try the headset with. Similarly, when Jill gets to street level, the various crashes, explosions, and panicked gunfire ring out with renewed strength. ![]() Its initial appearance where it crashes through Jill’s apartment building is already great, but having every thundering crash of plaster and brick thump through the headset adds some real, terrifying oomph. It’s the best showing in the entire remake for Nemesis, making him some frightening mutant spawn of The Terminator and Michael Myers. I specifically chose this for the explosive opening, where Jill Valentine is hounded across a chaotic Raccoon City by the hulking slab of meat in a binbag that is Nemesis. Turns out, a fair bit! The smart thing about this headset is that its haptics doesn’t just work on games, they work on music, TV, and film as well. Naturally, I had to test it out with a range of horror experiences I love to see what it brought to them. The clomp of heavy footsteps suddenly seem like they’re coming from right next to you, and the sudden banging on a door in the dark will make you jump with the sudden jolt the headset administers. So it doesn’t just rumble a bit during the loud parts, it rumbles with meaning and context. The Razer Kaira Pro for PS5 has three levels of haptic feedback in it. ![]() ![]() The pulse headset adds further depth with its sublime 3D audio, but there’s something about the Razer Kaira Pro headset that really elevates horror gaming on PS5, and even horror movies. The DualSense controller’s combination of speaker, adaptive triggers, and haptics being chief among them. All sorts of neat tricks have accentuated the horror experience on PS5 for me so far. ![]()
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